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Wereldwijd geloven veel mensen dat Nederland een uniek land is. Dat heeft te maken met de onttrekking van veel land aan de zee, maar ook met de Nederlandse handelsgeest, de markante culturele erfenis, de religieuze diversiteit en een eeuwenoude traditie van tolerantie. Sinds de negentiende eeuw zien de Nederlanders ook zelf hun land als moreel voorbeeld, een land waarvan de morele superioriteit in buitenlands en binnenlands beleid een inspiratie kan zijn voor anderen. In recente jaren maakt het positieve zelfbeeld over Nederland plaats voor negatieve percepties, nu het land zich volgens velen in een identiteitscrisis bevindt. James Kennedy, zoon van een Amerikaanse vader en een Nederlandse moeder en zijn leven lang al geïnteresseerd en gespecialiseerd in de Nederlandse geschiedenis, is de perfecte auteur voor deze Beknopte geschiedenis van Nederland, van het vroegste begin tot nu. Hij beschrijft niet alleen de historische gebeurtenissen, maar plaatst deze ook in internationaal perspectief en vergelijkt ze met ontwikkelingen in andere Europese landen.
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World history --- geschiedenis --- sociale geschiedenis --- economische geschiedenis
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This book examines the Irish experience of the 1918-19 influenza pandemic through a detailed study of the disease in the most industrialised region of the country, the province of Ulster. By exploring the different themes of dispersion of the disease; mortality; gender; medical response and politics - and through case studies of different towns in the province of Ulster - it builds up a picture of the social, economic and political impact of influenza in Ireland. The Ulster experience of the pandemic is examined by constructing micro-histories of industrial cities and towns, along with provincial market towns and a naval port, to provide a basis for comparison of the differing approaches taken to combat the influenza outbreaks throughout Ulster. Contemporary opinion was that Ireland was considerably less affected by the war than the rest of the UK but, this book shows that the war did have a significant influence on how the influenza pandemic impacted on the Irish population from an economic, social and medical point of view. The book also explores the immediate aftermath of the pandemic and how it influenced the Irish response to the influenza scare of 1920 and the viral pandemic of Encephalitis Lethargica which was prevalent for ten years after 1918, as well as discussing what if any lessons learnt from 1918 have been applied to the present-day outbreak of Covid 19. This book will be of interest to academics in economic history, social history, Irish history and pandemic history, and those studying the effects of pandemics on the economy, health provision and pandemic preparedness. Patricia Marsh began researching the 1918-1919 influenza pandemic in 2005 and completed a MA dissertation on the effect of the pandemic in Belfast in 2006. Her PhD thesis completed in 2010 was entitled 'The Effect of the 1918-19 Influenza Pandemic on Ulster.' She has spoken widely on the 1918-19 influenza pandemic at conferences and seminars in the United Kingdom and Ireland. Her research interests include the encephalitis lethargica epidemic in Ireland and typhoid in Belfast during the twentieth century. She worked as a Teaching assistant at Queen's University Belfast from 2008 until 2011 and was a Tutor for an Open Learning Course in Queen's University Belfast, entitled 'Plague, Famine and Disease in Ulster.
World history --- geschiedenis --- sociale geschiedenis --- economische geschiedenis
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This book is the first of its kind to investigate the ongoing significance of industrial craft in deindustrialising places such as Australia. Providing an alternative to the nostalgic trope of the redundant factory 'craftsman', this book introduces the intriguing and little-known trade of engineering patternmaking, where objects are brought to life through the handmade 'originals' required for mass production. Drawing on oral histories collected by the author, this book highlights the experiences of industrial craftspeople in Australian manufacturing, as they navigate precarious employment, retraining, gendered career pathways, creative expression and technological change. The book argues that digital fabrication technologies may modify or transform industrial craft, but should not obliterate it. Industrial craft is about more than the rudimentary production of everyday objects: it is about human creativity, material knowledge and meaningful work, and it will be key to human survival in the troubled times ahead. Jesse Adams Stein is an interdisciplinary design researcher and oral historian. She is a Senior Lecturer and ARC DECRA Fellow at the School of Design, University of Technology Sydney, Australia.
History --- geschiedenis
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Banjo --- Geschiedenis
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Grafische vormgeving --- Geschiedenis --- Vrouw
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World history --- History of Europe --- geschiedenis --- sociale geschiedenis --- economische geschiedenis --- Europese geschiedenis --- Europe
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